• Swit FM-21HDR 21.5-inch High Bright HDR Film Production Monitor
  • Swit FM-21HDR 21.5-inch High Bright HDR Film Production Monitor
  • Swit FM-21HDR 21.5-inch High Bright HDR Film Production Monitor
  • Swit FM-21HDR 21.5-inch High Bright HDR Film Production Monitor

Swit FM-21HDR 21.5-inch High Bright HDR Film Production Monitor

- 21.5” 1920×1080 non-glaring LCD

- 8-bit LCD, 12-bit internal process

- 1000 nits high bright

- 3G/HD/SD-SDI, HDMI and CVBS

- HDR LUTs: HLG & Dolby vision PQ

- Multi-camera logs to Rec.709

- DIT user 3DLUT cube upload by USB

- Waveform / Vector scope / Histogram

- 16-ch embedded audio meters

- Peaking focus assist with precision adjustment

- Exposure assist / Zebra / Blue only

- Anamorphic de-squeeze / Multiple markers

- USB firmware upgrade

- V-mount or 4-pin XLR or AC input

1 219 € excl. VAT
1 475 € incl. VAT
Quantity

21.5-inch 10-bit FHD LCD

Swit FM-21HDR Film Production Monitor

The FM-21HDR monitor adopts a 21.5 inch LCD panel with LED backlight, 1000nits high brightness. The native resolution is Full HD 1920×1080, contrast 1000:1, and viewing angle is Horizontal: 178° / Vertical: 178°

Input/Output Interfaces

3G-SDI, HDMI

Swit FM-21HDR Film Production Monitor

FM-21HDR monitor supports:

3G/HD/SD-SDI input × 2

3G/HD/SD-SDI loop output × 1 

HDMI 1.3 input × 1

3.5mm analog audio input × 1

3.5mm analog audio output × 1

RS485 UMD input × 1

RS485 UMD output × 1

USB-A LUT/Firmware input × 1

HDR Capable

With 1000nit high brightness, FM-21HDR can display HLG and Dolby Vision PQ HDR image by switching the HDR curves for different cameras.

Swit FM-21HDR Film Production Monitor

Supports:

ARRI Log-C HLG Rec2020

ARRI Log-C PQ Rec2020

Canon C-log2Cin HLG Rec2020

Canon C-log2Cin PQ Rec2020

Canon C-log3Cin HLG Rec2020

Canon C-log3Cin PQ Rec2020

Panasonic V-Log HLG Rec2020

Panasonic V-Log PQ Rec2020

RED L3G10 HLG Rec2020

RED L3G10 PQ Rec2020

SONY S-Log3 Cin HLG Rec2020

SONY S-Log3 Cin PQ Rec2020

SONY S-Log3 SG3 HLG Rec2020

SONY S-Log3 SG3 PQ Rec2020

Built-in De-log 3DLUTs

DIT user 3DLUT cube upload

Swit FM-21HDR Film Production Monitor

FM-21HDR provides more than 20 De-log 3DLUTs to convert log mode to REC709 for all major cameras.

Includes ARRI, RED, SONY, Panasonic, Canon, JVC, BMD, FujiFilm, GoPro, DJI.

And the user 3DLUT cube or calibrated 3DLUT cube can be uploaded by USB stick.

Video Analysis Assistant Pattern

Waveform / Vector scope / Histogram

Swit FM-21HDR Film Production Monitor

Swit FM-21HDR Film Production Monitor

Swit FM-21HDR Waveform Histogram

FM-21HDR supports video analysis assistant patterns includes: Waveform (Y/Pb/Pr/R/G/B), Vector scope, Histogram (R/G/B/Y), to convert the digital video quality info (Luma, Color, Saturation, etc) to patterns, and the patterns can be switched on/off individually, select display position (Up/Down/Left/Right), size, color, and translucence.

Embedded audio monitoring 

Up to 16-ch meters

Swit FM-21HDR Audiometer

The monitor can display 16-ch embedded audio meters.

The display mode can be:

1. CH1-2

2. CH1-16

3. CH1-4 and CH5-8

4. CH1-4 and CH9-12

5. CH1-4 and CH13-16

6. CH5-8 and CH9-12

7. CH5-8 and CH13-16

8. CH9-12 and CH13-16

Peaking, R/G/B Mono, Zebra, False color

Swit FM-21HDR Film Production Monitor

Swit FM-21HDR Film Production Monitor

Function Keys Assign

4 User Presets of Function Keys restore

There’re 4 F-keys to assign different functions, and you can make independent assignments and restore in 4 User Profiles.

Long Press F1/U1, F2/U2, F3/U3, F4/U4 button to recall User 1/2/3/4 with different F1/2/3/4 assignments.

Swit FM-21HDR Film Production Monitor

The following functions can be assigned to F1/F2/F3/F4 function keys:

Camera LUT - Waveform Type - Mute

Blue Only - Vector scope - IMD Display

Mono - Histogram - False color

Marker - Scan - Focus assist

Audio Meter - Meter - Aspect Peaking

Time code - code - Native Zebra

Anamorphic de-squeeze

Swit FM-21HDR Film Production Monitor

Enables de-squeeze the image from a camera utilizing anamorphic lens, Aspect Formats:

16x9,

4x3,

x1.3 Anamorphic De-Squeeze

x2.0 Anamorphic De-Squeeze

x2.0 MAG Anamorphic De-Squeeze 

TSL UMD and TALLY

FM-21HDR supports TSL 3.1 and 4.0 protocol UMD display and front TALLY light via RJ45 (RS485) port in the rear panel, input and output.

The available functions are:

 Swit FM-21HDR Film Production Monitor

 

Various Power Input 

V-mount / 4-pin XLR / AC

Swit FM-21HDR Film Production Monitor

FM-21HDR provides 11-17V 4-pin XLR input and 100-240V AC input.

A V-mount plate is pre-installed so that you can attach V-mount battery to power the monitor via D-tap to 4-pin XLR cable.

The power consumption is 48W.

Built-in 3DLUTs

FM-21HDR has built-in the following 3DLUTs to for De-log and HDR:

SDR HDR
ARRI Log-C Rec709 ARRI Log-C HLG Rec2020
RED L3G10RWG Rec709 R1 V1.13 ARRI Log-C PQ Rec2020
RED L3G10RWG Rec709 R2 V1.13 Canon C-log2Cin HLG Rec2020
RED L3G10RWG Rec709 R3 V1.13 Canon C-log2Cin PQ Rec2020
RED L3G10RWG Rec709 R4 V1.13 Canon C-log3Cin HLG Rec2020
RED RedLogFilm RG3 Canon C-log3Cin PQ Rec2020
SONY S-Log2SGamut LC709 Panasonic V-Log HLG Rec2020
SONY S-Log2SGamut LC709A  Panasonic V-Log PQ Rec2020
SONY S-Log3SG3Cine LC709 RED L3G10 HLG Rec2020
SONY S-Log3SG3Cine LC709A RED L3G10 PQ Rec2020
Panasonic V-Log Rec709 SONY S-Log3 Cin HLG Rec2020
Canon C-Log1Cine Rec709 FF V1.1 SONY S-Log3 Cin PQ Rec2020
Canon C-Log2Cine Rec709 FF V1.1 SONY S-Log3 SG3 HLG Rec2020
Canon C-Log3Cine Rec709 FF V1.1 SONY S-Log3 SG3 PQ Rec2020
JVC J-Log1 Rec709 Daylight  
JVC J-Log1 Rec709 Tungsten  
BMD 4.6K Film Rec709  
BMD 4.6K FilmV3 Rec709  
BMD 4K Film Rec709  
BMD 4K FilmV2 Rec709  
BMD 4K FilmV3 Rec709  
BMD CC Film Rec709  
BMD CC FilmV2 Rec709  
GoPro Protune Rec709  
DJI Phantom 3D Log Rec709 Improv  
DJI Phantom 4D Log Rec709  
DJI Phantom 4D Log Rec709 Improv  
DJI X5D Log Rec709 Improv  
FUJI FLog Fgamut FlogRec709 V1   
FUJI FLog Fgamut WDRRec709 V1   

Package:

Standard package includes:

Swit FM-21HDR Film Production Monitor

1x Foldable sun hood

1x LCD protective glass

1x V-mount plate

1x D-tap to 4-pin XLR cable

Optional purchase:

Swit FM-21HDR Film Production Monitor

C-stand adaptor (TA-C10)

Accessories hanger (TA-M10)

Specifications:

LCD Performance
Size 21.5 inches
Display area 476.64×268.11mm
Resolution 1920×1080
Aspect ratio 16:9
Brightness 1000cd/m2
Contrast 1000:1
Color 16.77 million colors
Viewing Angle Horizontal: 178°; Vertical: 178°
Input
BNC ×2 3G/HD/SD-SDI input
BNC ×1 CVBS input
HDMI ×1 HDMI 1.3 input
3.5mm ×1 Analog audio input
USB ×1 User LUTs upload and Firmware upgrade
RS485 ×1 TSL 3.1/4.0 input
Output
BNC ×1 3G/HD/SD-SDI loop output
3.5mm ×1 SDI, HDMI embedded audio and analog output
RS485 ×1 TSL 3.1/4.0 output
Video Format
SDI SMPTE-425M 1080p (60 / 59.94 / 50)
SMPTE-274M 1080i (60 / 59.94 / 50)
1080p (30 / 29.97 / 25 / 24 / 23.98)
SMPTE-260M 1035i (60 / 59.94)
SMPTE-RP211 1080psf (30 / 29.97 / 25 / 24 / 23.98)
SMPTE-296M 720p (60 / 59.94 / 50)
SMPTE-125M 480i (59.94)
ITU-R BT.656 576i (50)
HDMI 480i/ 576i / 480p / 576p
1080i (60 / 59.94 / 50)
720p (60 / 59.94 / 50)
1080p (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98)
General
Input voltage DC / battery 11V-17V 3A, AC 100-240V, 50/60Hz
Power consumption 48W
Working temperature 0°C~+50°C
Working humidity 10%~90%
Storage temperature -15°C~+60°C
Storage humidity 10%~90%
Dimensions 517×319×74.3mm
Net weight (main body) 5.7kg
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Swit FM-21HDR User Manual

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Reviews

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Swit FM-21HDR 21.5-inch High Bright HDR Film Production Monitor

- 21.5” 1920×1080 non-glaring LCD

- 8-bit LCD, 12-bit internal process

- 1000 nits high bright

- 3G/HD/SD-SDI, HDMI and CVBS

- HDR LUTs: HLG & Dolby vision PQ

- Multi-camera logs to Rec.709

- DIT user 3DLUT cube upload by USB

- Waveform / Vector scope / Histogram

- 16-ch embedded audio meters

- Peaking focus assist with precision adjustment

- Exposure assist / Zebra / Blue only

- Anamorphic de-squeeze / Multiple markers

- USB firmware upgrade

- V-mount or 4-pin XLR or AC input

Write your review